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“I fell in love with the theater and I thought, I don’t know how, but I want to be part of that.”
I grew up in Queens, and I lived at the last stop on the subway. Starting at the age of nine, my parents let me take the subway into the city, and they gave me $5, and I could buy a seat in the balcony at a Broadway show. I have memories of seeing Carol Channing in Hello Dolly, Angela Lansbury in Mame, Linda Lavin in It’s a Bird, It’s a Plane, It’s Superman. And I fell in love with the theater and with what it felt like to be transported into another world. I thought that was the greatest.
And I thought, I don’t know how, but I want to do that. I want to be part of that. When I went to college, I ran a concert series, and I started a summer theater. And I just knew that I needed to be in this universe somehow. I went to work for George Wein, who was the founder of the Newport Jazz Festival. I’ve been doing this sort of thing in music and theater and television and festivals ever since. And it’s been a glorious ride.
I’m especially proud that Savion Glover has become such an engaged and active part of our family here. Savion has this amazing ability to connect and inspire young people, give them a sense of confidence in themselves, a feeling of ownership of the development of the work they’re doing.
A few summers ago, he directed and choreographed a new production of The Tap Dance Kid, which he starred in when he was 11 on Broadway. To watch him recreate this work with a bunch of kids, three quarters of whom have never been on the stage before, it’s just magical. I can’t imagine that any of the children who are in that cast will ever forget what it is like to spend six weeks with a genius who is as kind as Savion is. It’s one thing to be a genius, another thing to be kind. To combine those two things in service of young people’s growth is very moving to me. I don’t care whether they become dentists or accountants or dancers or actors or whatever, man, it’s going to stick with them.